In performance:

A Woman of No Importance Classic Spring at The Vaudeville by Oscar Wilde. Directed by Dominic Dromgoole; Designed by Jonathan Fensom.  "Wonderfully moving… Sublimely funny” The Independent  "A compelling start to Dominic Dromgoole’s Wilde season… the bar has been set high” The Times

Just closed:

Prism at Hampstead Theatre Written and directed by Terry Johnson; designed by Tim Shortall.. "...movingly records the fragmentation of Cardiff’s Alzheimer’s-affected memory and yields a riveting performance from Robert Lindsay." Michael Billington, The Guardian.

The Happiness Project Unamoove at Skanes Dans Theater, Malmo, Sweden. Choreographed by Didy Veldman; designed by Kimie Nakano; music composed and performed live by Alexander Balanescu; touring relight by Anthony Arblaster. "Didy Veldman launches her company with a terrific show that encourages its audience to experience dance as a surge of emotion" Judith Mackrell, The Guardian

I shall be spending the end of the year writing and  in India continuing work on the relighting of the Calico Museum of Textiles with equipment supplied by TM Lighting.

Shows earlier this year include:

Woyzeck in Winter Landmark Productions at The Barbican by Buchner/Schubert. Adapted and directed by Conall Morrison; musical director Conor Linehan; set by Jamie Vartan; costumes by Joan O'Clery. "The anguish and torment of Büchner’s tragedy and Schubert’s song cycle Winterreise combine to brilliant effect in a pioneering piece of music-theatre" Michael Billington, The Guardian. "It looks wonderful too, with Beckett-like tramps stalking the scenes in shadowy lighting by Ben Ormerod that effortlessly conjures a rising moon, a brightly lit fairground and the darkening wood where Marie meets her fate." Sarah Crompton What's On Stage

Orestia: This Restless House at the Glasgow Citizens and Edinburgh International Festival by Zinnie Harris. Directed by Dominic Hill; designed by Colin Richmond; music composed and performed live by Nikola Kodjabashia. "Nikola Kodjabashia’s live score of atonal piano chords, scraping percussion and whispering echoes has defined the playing space just as much as Ben Ormerod’s ravishing lighting from the start." Mark Fisher, The Guardian; "Dominic Hill’s spectacular production – set by designer Colin Richmond in a bleak and grungy hallway, brilliantly lit by Ben Ormerod – whisks us in split-second altered states from the night-club sleaze of Clytemnestra’s court to the slaughterhouse of the palace kitchen" Joyce McMillan, The Scotsman
 

Tristan und Isolde at Longborough Festival Opera: Wagner: Directed by Carmen Jacobi; conducted by Anthony Negus; designed by Kimie Nagano. "The glisten of dawn at sea is captured by Ben Ormerod’s lighting and Kimie Nakano’s beautifully simple sets....It’s a first to come out of Act I, never mind the subsequent two acts, and find everyone dumbfounded. It’s hard to imagine this opera making a more shattering impact." Fiona Maddocks The Observer

A Double Bill of French Operas at RCM: Directed by Stephen Unwin; designed by Neil Warmington; conducted by Michael Rosewell. "...thanks to the brilliance, and occasional darkness, of the score and the immense vitality of Stephen Unwin’s production it is boundlessly enjoyable." Michael Tanner, The Spectator.

A Number at The Lyceum, Edinburgh : Directed by Zinnie Harris; Designed by Fred Meller. "A crisp combination of stillness and urgency" Mark Fisher, The Guardian "Fred Meller's box set, placed high on the stage and surrounded in darkness, hints at a succession of similar boxes behind it. This feeling is enhanced by Ben Ormerod's lighting, bursting in from the rooms beyond." Thom Dibdin, The Stage

Productions in preparation for 2018:

January

All's Well That Ends Well at The Sam Wanamaker Playhouse:  Directed by Caroline Byrne; Designed by Colin Richmond. After her ‘splendid’ (The Guardian) and ‘astonishingly powerful’ (Time Out) production of The Taming of the Shrew in 2016, Caroline Byrne brings this dark, twisted and dangerous interpretation of All’s Well That Ends Well to the candlelit intimacy of the Sam Wanamaker Playhouse. 

Frame of View at Danish Dance Theatre: Choreographed by Didy Veldman; designed by Miriam Buether. Originally made for Cedar Lake, NY. "A hilarious slow-motion fight; a horror-movie-style faceless figure bulging through a rubber-panelled door, Frame of View by Ms. Veldman, offered a memorable theatricality." New York Times

February

The Knot Umanoove at the Dance House, Ipswich:  Choreographer Didy Veldman; Designer Joana Dias. Two of the dancers who were part of The Happiness Project, Dane Hurst and Mathieu Geffre will join her again as well as Sara Harton from Montreal, Oihana Vesga who worked with Richard Alston for the last 6 years and Oliver Chapman. Ben Foskett will be composing half of the evenings music intertwined with Igor Stravinsky's score 'Les Noces'. 

Broken Glass at Watford Palace: Directed by Richard Needham; Designed by Simon Kenny. Broken Glass was first performed in 1994. It received the 1995 Laurence Olivier Award for Best New Play and was nominated for a Tony.  This production marks the 80th anniversary of Kristallnacht.

April

Long Day's Journey into Night at The Citizen's Theatre, Glasgow and Home, Manchester: Directed by Dominic Hill; designed by Tom Piper. 

May

The Whale at The Ustinov Theatre, Bath: Directed by Laurence Boswell. The Artistic Director of the Ustinov Studio and an Associate Artist of the RSC, Olivier Award winning Laurence Boswell returns to direct The Whale, following the West End transfers of The Mentor and Trouble in Mind. Both shows received their UK premieres in Bath and played to a raft of superlative reviews.

June

Der Fliegender Holländer at Longborough Festival Opera: Directed by Thomas Guthrie; designed by Ruth Paton; conducted by Anthony Negus. Longborough’s Music Director Anthony Negus is described as “the UK’s most eminent Wagnerian” (ArtsJournal), and in 2017 was presented with The Wagner Society’s Sir Reginald Goodall Memorial Award.

see blue through with Leipzig Ballet: Choreographed by Didy Veldman; designed by Stijn Celis. Originally made for Ballet Gulbenkian. "“The choreography gradually grows in stature and ambition, almost as if marine life is emerging from beneath the waves to taste the oxygen of the air above” The Times

July

Ariadne auf Naxos at Longborough Festival Opera: Directed by Alan Privett; designed by Faye Bradley; conducted by Anthony Negus.